T.C.ELECTRONIC ALTER EGO FULL

With an intense, Leslie-in-a-Bathysphere wobble thatвЂ™s deep and full of character, the TR Organ voice sounds amazing for languid psychedelic chords and warped jazz comping.Д®ach delay is shaped via a conventional control set: time, delay, and feedback. The many voices of the Alter Ego are derived from hip inspirations: two different Echorecs, two Echoplex models, a Ibanez DM-2, the TC Electronic 2290 (with a touch of modulation), a Watkins Copicat, Roland Space Echo, Electro-Harmonix Echoflanger, and more. TC probably could have stuffed the same functionality into a pedal a third the size, but it would have been a lot less fun to use and less practical in real-world gigging situations.

Tripped-out Flashback Doppelganger Though the Alter Ego is relatively large, you canвЂ™t argue with the elegant simplicity of the design. And the TC Electronic gang has developed a new version of their Flashback X4 digital delay inspired by tough-to-model echoes from the Binson Echorec to the Watkins Copicat and Tel-Ray Deluxe Organ Tone. Thankfully, that hasnвЂ™t kept engineers from trying. Even though good digital modelers can nail a lot of these analog idiosyncrasies, duplicating analog intricacies at the affordable end of the spectrum is tough. Tape delays, oil can echoes, and bucket brigade devices embody everything that is wonderful about analog-deep, multi-hued tones and inexplicable wobbles and irregularities. Stompbox developers, it seems, obsessively pursue the sounds and colors of vintage delays.

T.c.electronic alter ego